In the commercial use of photography became a reality, and many different methods were tried and used to create permanent images. From metal and glass to paper and film, and ultimately digital media, the process for capturing and preserving images has changed and improved numerous times. For every major change in photo technology there have also been numerous more minor changes. With a little knowledge, one can learn to identify these different photo types and date their origin to within a few years. Around the world, there are innumerable photographs of people, of ancestors, who are unidentified by name and date. Whether on a desk, in a drawer or closet, stuffed in envelopes, photo albums or stacked in a box, these images are waiting to be identified. One of the most heavily used, of the 19th century photographic methods, were paper-based photographs glued to cartes de visite and cabinet cards. If you have ever seen a photo of your ancestors from the late s to early s, it is a good chance the picture was one of these two types of images.
Cabinet Cards and Cartes de Visite
Enter your mobile number or email address below and we’ll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer – no Kindle device required. The 5-Star Resource for Dating 19th Century Card Photos 19th Century Card Photos KwikGuide presents an easy-to-follow set of clues that guides genealogist, historians, and other researchers through the task of dating their card photographs from the s.
With over high quality documented photographs included as examples for every clue, the researcher can accurately and with confidence determine most photograph dates to within two to six years. This book illustrates photographic technology changes that occurred frequently throughout the 19th century. These changes have been verified, tracked, and dated, providing a timeline of identifiable characteristics.
First introduced in the s, cabinet card photographs were similar to cartes-de-visite, only Martha Topping Photo Album dating help Prt 4b: Cabinet Cards.
The style of photographic product emerging from the studios changed over the years, and is of use in helping to determine the period they were produced. This section of the site attempts to give an overview of these changes as an aid to dating them alongside the photographer’s dates. The tables below illustrate some significant forms that are commonly seen. The dates tentatively given represent a ‘core’ period.
The first photographs commercially available in Glasgow were daguerreotypes, the first produced here in Because of their nature, they had to be protected behind glass. This also applies to a later technology, the ambrotype. A third early process produced ferrotypes or ‘tintypes’ which were cheaper. Some details of these are given in the table below.
These were prints from a negative process, allowing many copies to be made. This format was patented in the late s, and proved so popular that many millions were produced in the following years. Photographic albums were produced to accept this size, which served to reinforce the standard. The production of these cards reached a peak in the s, but they continued to be made into Edwardian times.
Evolution of the Photograph, and Photocard Design
Collection of twelve exceptionally high quality nineteenth-century team cabinet cards. Rarely are team cabinet cards of this quality seen individually, let alone as a collection. Almost all are circa s, one or two may be a few years earlier, and one or two date from the s. The photographic history of our National Pastime is rich in quantity but sometimes lacking in information.
Some sizes of mounted photographs have names, like the cabinet card and carte de visite. Some sizes aren’t named, and are represented by their size— ala, ‘.
Convert currency. Add to Basket. Book Description PhotoTree, Condition: New. Seller Inventory M More information about this seller Contact this seller. Clark, Gary W.
How to spot a carte de visite (late 1850s–c.1910)
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I wanted to show you the entire cabinet card because it contains clues that will help us date this photo. The first thing we will look at is the plain.
The mount thickness changed dating time, with the earlier ones being thinner than the later ones. The s mounts are typically thinner than the s mounts which are typically cdv than the s and later mounts. Having inexpensive examples from different years on hand will help judge thickness. In the s the logo was relatively small and with conservative font. As the years went cdv the design became larger and more ornate, sometimes taking up the entire back. Note that s and early s CDVs that visite used as trade cards give away cards advertising a product spot service can have larger advertisements on back.
Large dating studio names on the bottom front dating the mount dating typical of late s cartes. The early studio backgrounds in dating images were typically plain. Tax stamps on dating back visite CDVs help photos a date. From August 1 st to August 1 st the US government photos that tax stamps be put on photographs. A later amendment allowed for 1 cent stamps to be used. CDVs with a 1 cent stamp date between March and August.
Blue stamps are from the summer of.
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Root Date: Medium: albumen print, cabinet card Dimensions: Image: 14 x cm Mount: x cm George Eastman House Collection General.
Early Mounted Photographs. Nearly all s paper photographic prints are mounted. A percentage of early s photographs are also mounted. Mounted means the print is affixed to a heavier backing, usually larger than the photographic print. The backing is usually a sheet of cardboard, but s photographic prints can be found mounted in books, on scorecards and other items. These mounted photographs come in various sizes and shapes.
Some sizes of mounted photographs have names, like the cabinet card and carte de visite.
Enter your mobile number or email address below and we’ll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer – no Kindle device required. To get the free app, enter your mobile phone number. Would you like to tell us about a lower price? If you are a seller for this product, would you like to suggest updates through seller support? The 5-Star Resource for Dating 19th Century Card Photos 19th Century Card Photos KwikGuide presents an easy-to-follow set of clues that guides genealogist, historians, and other researchers through the task of dating their card photographs from the s.
Obtaining an approximate date for a cabinet card is far from an exact science. Part of the dating is based upon different card.
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ISBN 13: 9780983578550
Sorting through albums and bins of old photos can be exciting and overwhelming. There are treasures in those bins — grandma looking like a movie star on the beach, a photo of your great-uncle who died in the war, the only baby photo of your father. However, digging for those treasures can be a bit messy. Damaged photos, improper storage, and sheer volume can make sorting difficult. Before jumping in, we recommend sorting photos with intention.
When we google “dating cabinet cards” we can find some info, the most important is that beveled edges were popular from This fits with my dates.
Tamamura, T. Imperial Government Railways of Japan, [Information on this series is here ]. A must for the person interested in Meiji era photography and photographers. This work will, no doubt, become a standard reference for the collector and student of early photography in Japan. The book spans the period from the importation of the first camera into Japan through the death of the Emperor Meiji in Available, Purchase Here Note 1b. The definitive English language history of photography in Japan through the end of the Meiji era The book presents the photo-history of Japan from early photographic experiments and the recording of the first photographic images s , to the establishment of studios by Westerners in newly opened Japan s , to the emergence of major competition by Japanese photographs s , to the decline of Western studios s , to the domination by Japanese studios s and finally to the full control by Japanese studios s.
In this context, Terry Bennett discusses the key photographers and photographic entrepreneurs and presents an amazing amount of biographical information.